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The government ministers were massacred and the Han dynasty was effectively brought to an end. He lavished enormous wealth on himself and was strangled in 192 A.D.ġ84 AD Revolt of the Yellow Turbans-In 184, a rebellion broke out among the peasantry in China. Commodus later had two of his prefects executed. Commodus was the first emperor since Domitian to succeed by virtue of birth, rather than by assassination. The Romans under Marcus Aurelius managed to repulse the Germans inġ80 AD Marcus Aurelius Dies- In 180 A.D., Marcus Aurelius died and was succeeded by his son, Commodus. They advanced as far as Aquileia in Northern Italy. For example, 400 BCE is the same as 400 BC, and 2011 CE is the same as 2011 AD. The years are the same, only the designations are different. The advocates of the switch from BC/AD to BCE/CE say that the newer designations are better in that they are devoid of religious connotation and thus prevent offending other cultures and religions who may not see Jesus as Lord. The word Common in both instances refers to the date employed by the most commonly used calendar system, the Gregorian Calendar. The change is simply one of semanticsthat is, AD 100 is the same as 100 CE all that changes is the label. Under the orders of Roman Emperor Hadrian, Jerusalem is completely leveled and Jews are forbidden to live there.ġ67 AD German Tribes Invades Northern Italy- The German tribes crossed the Danube River and attacked the Roman Empire. BCE is used in place of BC, and CE is used in place of AD. Bar Kokhba is killed at the village of Bethel. Three years later, Roman armies under the command of Julius Severus retake Jerusalem and sack it. The Romans were forced out of Jerusalem and most of Judea. The revolt was led by Simon Bar Kokhba and Rabbi Eleazar and achieved some successes early on. The instrument was a series of balls that fall if there is the slightest tremor.ġ32 AD Bar Kochba Revolt- The Jews of Jerusalem rose up in rebellion in 132 after the Romans built a temple to Jupiter on the site of the Jewish Temple. The wall stretched 70 miles across Northern England.ġ32 AD Chang Heng Invents Seismograph- The Chinese poet and inventor developed the first seismograph. 122 AD Hadrian's Wall Was Built- The Roman emperor Hadrian on a visit to Britain ordered the construction of a defensive wall. Won vacant WBC International heavyweight title Melbourne Showgrounds, Melbourne, Australia Jupiters Hotel & Casino, Gold Coast, Australia Won Australian and Australasian heavyweight titles Won vacant WBF (Federation) heavyweight titleĬentral Coast Leagues Club, Sydney, Australiaįor vacant Commonwealth heavyweight title Sheraton Breakwater Casino Hotel, Townsville, Australia Mount Smart Stadium, Auckland, New Zealand Tingley Coliseum, Albuquerque, New Mexico, U.S. Resorts Casino Hotel, Atlantic City, New Jersey, U.S.Ĭonvention Center, Albuquerque, New Mexico, U.S. The Palace of Auburn Hills, Auburn Hills, Michigan, U.S. Won vacant WBC Continental Americas heavyweight title Mystic Lake Casino Hotel, Prior Lake, Minnesota, U.S. MGM Grand Las Vegas, Paradise, Nevada, U.S. Record knockout on first punch recorded in 1.5 secondsĬasino Magic, Bay St. Medieval Times, Lyndhurst, New Jersey, U.S. Harrah's Cherokee, Cherokee, North Carolina, U.S.įoxwoods Resort Casino, Mashantucket, Connecticut, U.S. Spotlight 29 Casino, Coachella, California, U.S. Hammerstein Ballroom, Manhattan, New York, U.S. Teamsters Union Hall, Baltimore, Maryland, U.S. Hard Rock Hotel and Casino, Paradise, Nevada, U.S. State Netball and Hockey Centre, Melbourne, Australia Throughout his career he won regional titles including the Australian Heavyweight Champion twice as well as winning the lesser IBO and WBF Heavyweight titles. He finished his 49 fight career with 35 victories, 28 by knockout. On the 18 March 1997 edition of the USA Network's Tuesday Night Fights he knocked out Crawford Grimsley with his first punch, scoring the fastest knockout in history at 13 seconds, including the count of 10, which was not even begun, so it lasted 3 seconds, during the quick walk from his corner to the ring centre, immediately throwing the first and only punch with his last step. Among his notable victories are wins over Tony Tubbs, Craig Peterson, Trevor Berbick, and Tim Witherspoon. Later in his professional career he also fought under the name James Thunder. He changed his surname from Peau to Thunder in 1989 at the suggestion of his manager at the time, Jack Rennie. Thunder turned pro in 1988, after being omitted from New Zealand's Seoul Olympic Games team. As an amateur he had 89 fights, finishing his amateur career with 83-6 record. It was one of the nine gold medals won for New Zealand in that year. He defeated Dougie Young in his hometown by unanimous decision. In his early amateur days, Thunder became the first Samoan-born fighter to win a gold medal in the heavyweight division, representing New Zealand at the 1986 Commonwealth Games in Edinburgh, Scotland. Preston took on the young Samoan into his boxing gym in Mangere Bridge. His friend introduced Thunder to Gerry Preston. He went to school at Onehunga High School in Auckland. While born in Apia, he grew up in Auckland, New Zealand. Thunder was born third out of six siblings. His mother is from the village of Fasitoouta, and his father is from the village of Falelatai. During his early life and amateur career, Thunder was known as Jimmy Peau. I had dabbled in 3D graphics and the "demo" scene. I started working with 8 bit microcomputers in the early 1980's, writing games and utilities, and dial-up BBS's, using assembly language and BASIC. I've worked on early versions of the POSIX threading library for Glibc, Linux device drivers, all sorts of middleware stacks in wireless, VoIP and such. I maintain my own Lisp implementation that has a decent object system, exceptions, delimited continuations, compiler and virtual machine, and a whole-document pattern matching language for easy text transformation. I've never touched Java do I have a dull and limited computing experience? On the other hand, I don't think the extra pixels really matter as much as higher color depth (10 or 12 bit) and fewer artifacts at lower resolution, unless you've got a home IMAX or something. Sure, I don't think there's any economical way to reduce storage requirements of UHD significantly without defeating the point. > So even backing up the main feature of a UHD can easily run you 50+ GiB. The latter can be had new for ~$85 the others are probably a bit harder to find but given they're older midrange cards at this point maybe they're a little cheaper. Yes, although this is becoming less true as more hardware offload support becomes available.įor example, Nvidia 750, 950-960, and 1030 are all capable of HEVC offload. > One big downside of reencoding in HEVC is that for a moderate gain in compression (0-50% depending on the film), you considerably increase your playback requirements. Right still quite a bit less efficient than H.265, though. > The vast majority of newer Blurays use H.264, which is pretty efficient (much more than the other two). The vision is it just runs as a server and anyone on the same network can access it like a web service an pull up documents (and in the future media) of interest. Basically I am about to the AltaVista level of search capability :-). So basically everything is nearly equal rank. I don't give it enough queries to use my own traffic for ranking feedback. Simple bi-gram and tri-grams, and a growing synonym index. I have a simple frontend based on the perl Mojolicious module which Blekko had developed as part of another project but my indexing tools are still quite primitive. I did manage a set of perl scripts that would post process the statements that I downloaded from the bank into CSV files, but I would still like to pull tabular data out of PDF book scans to make the data they provide more useful. For a while IBM was offering a free Watson service to do this (now its part of Watson Discovery) which has some warts. The tools for processing PDFs into searchable text have a lot of warts. My goal is exactly that, usability without me present :-). If one pairs one these to both of UV and MA, the maximum amount of entitlements will sync across. This is why more and more content platforms are missing the 'own' option entirely: you can stream whatever is available, but the selection may change at any time.įor now, Vudu and FandangoNOW are two services that supports both UV and Movies Anywhere. Online, the industry has been using malleable rights for both 'rent' and 'own' semantics, but for the latter case it's user-hostile. The DVD comparison is illustrative, and proves that decent UX with DRM can be achieved despite a dizzying array of rights, but the permissions are materialized into hardware and frozen in time. As for non-US users - shame on all players in this game - they're always an afterthought to where piracy offers a superior UX, but other video platforms are proving this need not be the case. Since the news about UV is fresh, it remains to be seen whether the remaining studios migrate too, and whether the negotiations between the competing rights databases, the studios, and content sellers can result in a user-fair migration. Disney didn't join UV, and eventually pivoted their own digital locker storefront 'Movies Anywhere' into a US-only UV competitor that lured some studios and content sellers away. It's a tangle of voluntary bilateral agreements among competitors whose gaps result in a landscape that's user-hostile, but UV rationalized some of it. But in some sense that never materialized, because sometimes the place where UV synced your rights doesn't itself have rights from the studio to stream the movie. REST Assured - an HTTP client designed for testing your REST services.If none of the above is quite what you want, have a look at these suggestions: Since posting this article on Twitter I have been delighted to see people discussing which HTTP clients they use. Building classes to represent remote APIs is a nice abstraction that plays well with dependency injection, and having Retrofit create them for you based on a customizable OkHttp client is great. I like this kind of Java API for all but the simplest cases. You might also want to configure a logging framework to avoid warnings on stdout (no big deal, but it does irk me a bit). It doesn’t look too hard to use but I have skipped a lot of the error handling which you would want in production code and again I had to add Jackson code to parse the JSON response. Overall the API is rather low-level - you are left to implement a lot for yourself. The library also supports synchronous and asynchronous requests. Version 5.0 was released in early 2020, adding HTTP/2 support. The old Commons HttpClient is no longer being developed, and the new version ( also called HttpClient), is under the HttpComponents project. They’re widely-used and are the foundation for a lot of higher-level libraries. The Apache Software Foundation’s HTTP clients have been around for a long time. If the built-in clients don’t work for you, don’t worry! There are plenty of libraries you can bring into your project which will do the job. It returns a Supplier for the APOD class, so we call. I’ve written one ( here) based on Jackson following an example from Java Docs. You can also define your own, which might be helpful as there isn’t a built-in BodyHandler for parsing JSON. There are some built-in handlers: String, byte for binary data, Stream which splits by lines, and a few others. HttpClient accepts a BodyHandler which can convert an HTTP response into a class of your choosing. Libraries that make this difficult will not spark joy in me. It also has the option to make requests synchronously or asynchronously by using the CompletableFuture API.ĩ9 times out of 100 when I make an HTTP request I want to read the response body into my code. This has a much more logical API and can handle HTTP/2, and Websockets. More than twenty years after HttpURLConnection we had Black Panther in the cinemas and a new HTTP client added to Java 11:. I suspect that’s only a small minority of developers, but you might see it in older codebases - for more modern approaches, read on. When would you use HTTPUrlConnection, then? If you are supporting clients who are using older versions of Java, and you can’t add a dependency then this might be for you. If you need to make more complex requests with POST bodies, or custom timeouts etc then it’s all possible but I never found this API intuitive at all. This seems quite verbose, and I find the order that we have to do things is confusing (why do we set headers after opening the URL?). Here’s how you would use it to make a GET request to get the APOD data: Titanic was rocking the box office and inspiring a thousand memes, Spice Girls had a best-selling album, but the biggest news of the year was surely HttpURLConnection being added to Java 1.1. Anyway, close your eyes and center yourself in 1997. Java 1.1 HttpURLConnectionįirst of all, do we capitalize acronyms in class names or not? Make your mind up. One of these might be a good choice if you are sensitive about adding extra dependencies to your project. Since Java 1.1 there has been an HTTP client in the core libraries provided with the JDK. Core Java APIs for making Java http requests I’ll use the Astronomy Picture of the Day API from the NASA APIs for the code samples, and the code is all on GitHub in a project based on Java 11. If you use other ones, that’s great! Let me know about it. This post will introduce you to the Java HTTP clients that I reach for. For Java programmers there are many ways to do it - core libraries in the JDK and third-party libraries. Making HTTP requests is a core feature of modern programming, and is often one of the first things you want to do when learning a new programming language. The current wielder, Chicory, is immensely talented and beloved by all… until all the color in the land vanishes, and her with it! I guess that leaves it up to you, her number one fan, to take up the brush and fill in for her. Naturally, it needs a wielder, a master artist responsible for all colors and for passing the brush down. The Brush is a one-of-a-kind artifact that can color the world. GamingTrend Chicory: A Colorful Tale is a delightful experience that, while confronting some of the darker parts of creativity, will simply make you. For Chicory: A Colorful Tale on the PC, GameFAQs has game information and a community message board. The current wielder, Chicory, is immensely talented and beloved by all… until all the color in the land vanishes, and her with it! I guess that leaves it up to you, her number one fan, to take up the brush and fill in for her.Here is an overview of the game, via its Steam page:Ĭhicory: A Colorful Tale is a top-down adventure game about a dog wielding a magic brush! Use the painting powers to explore, solve puzzles, help your animal friends and restore color to the world. I also never had Pistachio appear in the Resort, no matter how many. 8 Beginner Tips For Chicory: A Colorful Tale 8 Tackling Heavy Subjects 7 You Can Auto-Fill Areas Immediately 6 Look For Lost Kids 5 Pick Up. Can I Play That provides accessibility game reviews, commentary, news, and accessibility reference guides. There is no need to do this for the quest here nor is there any reward for the decoration quest. Welcome to the Chicory: A Colorful Tale Wiki Were a collaborative encyclopedia that anyone can edit Note that the game is still in development, so things are bound to change. Naturally, it needs a wielder, a master artist responsible for all colors and for passing the brush down. Here is my video guide for the trophy: Chicory: A Colorful Tale - Turnabout Squeeze Incidentally, during the quest Butterscotch may ask you to decorate the Presidential Suite. A review copy of Chicory: A Colorful Tale was provided by the developer / publisher. The Brush is a one-of-a-kind artifact that can color the world. Following in the footsteps of TLOU2 with accessibility features and options is quite a feat, especially for an indie game, but Chicory absolutely nails it and is carrying on the accessible and inclusive trend I hope to see even more of in the gaming industry. Chicory: A Colorful Tale Will Have You Restoring Colour to the World on PS4 and PS5. Chicory: A Colorful Tale Launches for PS4 and PS5 in Full Living Colour This June. Chicory: A Colorful Tale is an adventure game about a dog wielding a magic paintbrush Use the power of art to explore, solve puzzles, help your animal friends. Popular Steam Guides Written guides, references, and walkthroughs. Chicory: A Colorful Tale is a top-down adventure game about a dog wielding a magic brush! Use the painting powers to explore, solve puzzles, help your animal friends and restore color to the world. Trophy Guide Leaderboards Review Screenshots Videos Forum News See All. Browse and rate player-created guides for this game. At first I just got the spaghetti or lasagna, but one time I tried the Italian sub they offered and I was hooked. In college, when my friends and I got sick of eating on campus (and had the money to do so), we’d venture across the street to Zio Johno’s, a little Italian place with good, cheap food. I haven’t included any of the ones that I regularly make for myself because they’re pretty boring, although IMO, they’re right up there with any of these. Here are a few sandwiches I’ve enjoyed over the years. If the sandwich maker is doing his job right, you should be able to taste most of the ingredients separately and together at the same time. You should get a bit of everything in each bite…it’s a BLT, not just an L on toast. Make sure the ingredients are distributed evenly throughout the sandwich. If you’ve got a lot of bread (a Kaiser or sub roll, for example), you’ll probably need more of everything else to balance it out. The mighty sandwich should not be a lowly conduit for your mustard addiction why not just eat it straight from the jar? If you’ve got a dry bread, add a slice of tomato, a little extra mayo, or save it for tuna or egg salad. These are sandwiches for showing off, not consumption.) Too much mustard and you overwhelm that beautiful pastrami. (The “famous” delis in NYC are big offenders here…the amount of meat in their sandwiches is way too much. Too much meat and the sandwich tastes only of meat. The first thing you taste when you take a bite is the bread, so it had better be good and it had better be fresh.īalance, or how the various parts come together to make a whole sandwich experience, is even more critical than the bread. Aside from the main ingredient (turkey, tuna, chicken salad, etc.), the bread has the power to make or break a sandwich. The keys to a good sandwich are the three Bs: bread, balance, and…ok, there’s only two Bs, but they’re important. In my short history, I’ve eaten more than my fair share of sandwiches and while I can’t consider myself a true connoisseur, the humble sandwich is one of my favorite things to eat and the ultimate in comfort foods. I just made it up.Īlthough the sandwich was named so after an 18th century British Earl, its invention dates back to a rabbi who lived in the first century B.C. What I wrote in this book, though, I made up - it’s a fiction, from beginning to end. It’s a kind of inheritance, the memory of it. I wanted to know what happened then, to my father’s generation. When I was a kid my father told me stories - not so many, but it meant a lot to me. My father belongs to the generation that fought the war in the 1940s. In it, you can definitely see how he feels disconnected with Japan, other Japanese writers, and from his past:īecause it’s my father’s story, I guess. Via Andrea Harner, here’s an interview with him from 1997 in Salon. I knew next-to-nothing about Murakami before picking up this book, but when I finished, I did a little poking around. This all ties into Japanese history & culture, eastern religion & philosophy, and Murakami’s own experience, but I found it all personally reassuring, a reminder that you could change as a person and still essentially be who you were before or that stepping outside your normal self for a look ‘round can be a healthy thing. Many of the characters either had two distinct personalities (not in a schizophrenic sense…usually one personality before a dramatic event in their lives and a different one afterwards), talked of leaving their body & looking back on themselves, or had vague feelings that they should be someone else, that some other personality was inside them and couldn’t reveal itself. Maybe it was Murakami’s quiet storytelling style, but I was especially struck by the duality of self theme running throughout the book. But from my point of view as a reader, I was overcome by a growing sense of calm as I read. The lives of the characters in the book start out fairly normal but get more and more strange and unsettling as the action proceeds. The Wind-Up Bird Chronicle was especially good I burned through it like I used to do with books when I was in high school. My latest foray into fiction has been great, a welcome reprieve from a schedule that has been a little brutal recently. My usual regimen of nonfiction followed by even more nonfiction has been wearing on me and I read so much news and short nonfiction pieces in keeping up with that I’m getting a little burned out. I’ve been reading a fair amount of fiction lately, which is not typical for me. The reverb is now a convolution design, though the old computational reverb is still there for the sake of backwards compatibility, hidden away a bit. There's also a brand new detachable effect section that includes a delay, chorus, flanger, wah, tremolo/autopan, amp modelling and a compressor. The headline improvement is the new main acoustic piano model, based on a German Steinway D, called 'D4'. That little lot comes in the form of two downloads that run to a whopping (not) 12MB.Ĭlearly, Pianoteq is more than just a virtual piano, and Pianoteq 4 offers quite a bit more than its earlier versions too. There are free add-ons too: a cimbalom, two harpsichords, eight historical pianos, a Yamaha CP80 electro-acoustic, tubular bells and church bells. These include Rhodes and Wurlitzer electro-mechanical pianos, a Clavinet and a Yamaha rock piano sound, plus two vibraphones, xylophone, marimba, celesta, glockenspiel, steel drum, spacedrum, hand pan drums and a tank drum. Especially so because as well as its two main grand pianos it also includes a surprisingly large array of 'add-on' sounds, which start off in a time-limited demo mode but can be unlocked after purchase in the Modartt online store. Set against this, the roughly 20MB (yes, megabyte!) installation size of Modartt's Pianoteq 4 seems almost implausible. And hooray for that, because many are outstandingly good, both in terms of sound quality and playability. The falling cost and ever-increasing capacity of hard drives have conspired, in recent years, to give us sample-based piano sound libraries that routinely run to 80GB or more. Pianoteq 4 Pro in its stand-alone version, with most of the main sound parameters exposed for editing. Now six years old, this physical modelling instrument has reached a new level of refinement and sophistication - and not just for piano sounds. One of the most horrible wheel tortures was akin to crucifixion. The difference was likely immaterial to the victims. Instead of swinging, the wheel might turn on an axle. The wheel itself could also have spikes mounted on it, so the pain came from all directions. The victim would be tied to the wheel, and then swung across some undesirable thing below - fire was always a good choice, but dragging the victim's flesh across metal spikes also worked well. A more elaborate method involved a wheel mounted to an A-frame that allowed it to swing freely. Early torturers were fond of tying someone to a large wooden wheel, then pushing it down a rocky hillside. They could be part of a stretching rack, but medieval torturers were far too creative to leave it at that. Wheels were adapted to many torturous uses. Torquemada, the infamous torturer of the Spanish Inquisition, was known to favor a stretching rack known as a potoro. He or she was stretched until his or her joints dislocated, then left there or slackened and allowed to hang underneath the horse while an inquisitor or judge questioned the victim and tried to get a confession. Pulleys below tightened ropes affixed to the victim's hands and feet. The victim was tied to a beam on the top (the horse's "back"), facing up. It was a wooden device that vaguely resembled an actual horse in shape. Eventually, the fire was extinguished by the downpour of blood as the victim's limbs were torn free. A fire was lit beneath the wheel, adding to the torture. In one story, a Christian youth was tied to a wheel and his joints destroyed by the stretching. Such torture was known as being "broken on the rack," "racked," or "stretched on the rack." It could be combined with other forms of torture to make things even more painful. Continued pressure could cause the limbs to be torn right off. It came in many forms, but here's the basic idea: The victim was tied down while some mechanical device, usually a crank or turning wheel, tightened the ropes, stretching the victim's body until the joints were dislocated. The rack was used throughout Europe for centuries. By some reports, Phalaris himself became an eventual victim of the bull when his subjects grew tired of his mistreatment. Expecting a handsome reward for his creativity, Perillus instead became the first person placed inside the Brazen Bull. Legend has it that this device was invented by a Greek named Perillus (Perilaus in some sources) for a tyrant named Phalaris of Agrigentum. This effect created additional amusement for the audience, and served the added benefit of distancing them from the brutality of the torture, since they couldn't directly see the victim. The movements and sounds, muted by the bull's mass, made the apparatus appear alive, the sounds inside like those of a real bull. As the victim succumbed to the searing heat inside, he would thrash about and scream in agony. Victims were placed inside, usually with their tongues cut out first. The Brazen Bull was a hollow brass statue crafted to resemble a real bull. 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